The Department of Music is a leader in its field, training distinguished scholars as well as prize-winning composers and performers. Our alumni become conductors of orchestras and choruses, or go on to solo or orchestral performing careers, or to become singers in opera companies around the world. Many of our graduates are now writing music for television and film.
Undergraduates find their calling, whether traditional or avant-garde. From Ethnomusicology to Percussion to Composition, there are ways to forge a program suited to your passions -- be they theoretically- or performance-driven.
Supporting it all is a large complex of teaching studios, classrooms, practice rooms, three performance halls, and an outdoor concert bowl. We host a state-of-the-art Music Laboratory, and the Center for Research in Electronic Art Technology (CREATE). Our Music Library houses a collection of more than 120,000 holdings, including over 30,000 LPs and over 12,000 CDs.
Related Programs
CREATE is situated within the Department of Music and has strong ties to the Media Art and Technology program and the Allosphere research facility.
The Center is an association of faculty and students that promotes the study of music across academic disciplines.
Music News & Features
The four-person UCSB band Wahoo was formed last year in a dining hall and the members have since established themselves as rising stars by playing at The Rose Bowl’s Bruin Fest for Hispanic Heritage Month. Andrew Adorno (on guitar), Carlo Lapayese-Calderon (on Cajon), Matthew Diaz (lead vocals) and Abhi Sahota (on bass) aim to keep performing on larger stages. Andrew Adorno sat down for an interview to talk about Wahoo’s Rose Bowl performance, how UCSB fostered the creation of Wahoo, and his personal journey with music.
Cinema sound editor Javier Umpierrez joined UCSB Film and Media Studies professor Greg Siegel for a post-screening discussion on the 2021 fantasy mystery film Memoria, which was the inaugural feature of “Panic!,” a fall series presented by UCSB’s Carsey-Wolf Center. Umpierrez spoke about his role in Memoria’s sound design and the film’s portrayal of bodies and locations recording history.
The story of how UCSB college band Rebelution put themselves on the map, garnering a global audience of millions and a Grammy nomination. A feature story written by UCSB student Emily Ferguson.
UCSB’s Department of Music hosted an Opera Gala last month, showcasing the talents of UCSB and Ventura College students in three separate performances: one at UCSB, one at Ventura College and an abridged version at the Casa Dorinda retirement community. The primary focus of the Gala was six opera singers, all graduate students in UCSB’s music department. The event also featured a chorus, orchestra, and dancers .
This spring, UCSB’s Humanities and Fine Arts Division hosted a creativity contest to highlight the work of creative students across the UCSB campus. Here are the first and second prize winners in the music category.
Max Jack, a researcher and an alumnus of the Ethnomusicology Ph.D. program at UC Santa Barbara, recently spoke to students and faculty about his experience navigating the academic job market in the United States and abroad. Jack also gave advice on doing research and submitting to academic journals.
Professor Fabio Rambelli from UCSB’s Religious Studies and East Asian Languages & Cultural Studies departments, speaks about hosting “The Transcultural Exploratorium: Neuro Music and Japanese Culture” event and how he exposed the UCSB community to traditional Japanese sounds.
Musician and composer Gene Coleman spoke to a UC Santa Barbara audience about his work in Neuro Music. With compositions inspired by the brain’s auditory pathways, Coleman studies music from a neuroaesthetic perspective for creative production.
UC Santa Barbara graduate student Gulia Gurevich last week shared her research into Uzbek music history, in a joint lecture and recital. Gurevich presented Uzbek history as it influenced music, and discussed women’s role in music as a professional and educational field. After her lecture, she performed several different Uzbek works, including both solo and duo pieces.
The UC Santa Barbara Jazz Ensemble performed its Fall Concert with a tribute titled “The Identity of Ellington.” Ensemble director Jon Nathan spoke to HFA reporter Maya Johnson about what it meant for a predominantly white UCSB band to explore the history of race in jazz’s origins, and to give credit to artists and innovators who had been underpaid, discriminated against, and sidelined as jazz culture developed in the 20th century.
Richard Croy, the new production and events manager for UCSB’s Music department, sat down for a Q&A to discuss his experience in theater and producing, as well as his plans to revitalize Lotte Lehmann Concert Hall.
The UC Santa Barbara Classics Department began the school year with an event that brought ancient myth to life. Interested students participated in a play through of the video game “Stray Gods: The Roleplaying Musical.” During the session, organized by Classics Ph.D. student Rick Castle, participants examined how contemporary adaptations of ancient stories portray marginalized communities, such people of color and queer people.
The 2022-2023 web and social media intern team in the Division of Humanities and Fine Arts covered an array of events for the HFA website and social media platforms this year. Meet the faces behind the stories.
London-based artist Wajid Yaseen said that cassette tapes give a rare glimpse into the lives and immigration experiences of Pothwari-speaking people, whose language has no written form. The lecture was hosted by UCSB’s Center for the Interdisciplinary Study of Music, Ethnomusicology Forum, Library Special Collections, and Interdisciplinary Humanities Center.
UCSB’s World Indian Ensemble led an hour-long performance in the Department of Music’s Music Bowl, as part of its World Music Series. The ensemble is headed by Department of Music professor Scott Marcus and will hold an end-of-year recital on June 8th.